*Chenxi Li, Professor Dato’ Dr. Noraien Mansor, YuDong Zhu

Abstract:

The landscape of documentary films has seen a significant exploration of feminist themes, predominantly in Western contexts. However, there is a notable gap in research concerning the unique cultural and historical backdrop of Chinese female-directed documentaries, particularly in relation to feminist ethics (Lu, 2018). This study aims to bridge this gap by examining the characteristics of feminist care ethics in Chinese female directors’ documentaries post-New Documentary Movement, with a focus on self-reflexivity, Chinese cultural specificity, and the representation of marginalised groups. The research employed a case study methodology, focusing on the works of Feng Yan, a prominent Chinese female director known for her documentaries on the Three Gorges Region spanning over two decades. The study delves into how Feng Yan’s documentaries encapsulate the essence of feminist ethics, challenging traditional narratives, engaging with marginalised communities, and providing authentic depictions of Chinese culture.

Keywords: New Documentary Movement, feminist ethics, Chinese female directors, Feng Yan, self-reflexivity, cultural specificity, marginalisation